And with large gatherings prohibited in a parish that’s seen one of the highest coronavirus death rates per capita in the nation, he was laid to rest in an unpublicized ceremony, family members wearing masks and standing six feet apart. His family had 72 hours to prepare funeral arrangements, per state guidelines. Like so many New Orleanians over the past month, the 85-year-old Marsalis died in a hospital bed of complications from COVID-19. The only public sendoff was a black wreath with his picture hung on the door of Snug Harbor, which now, like much of the city, sits shuttered and silent. Instead, Marsalis was buried without music. Watch Video: Louisiana resident pays tribute to Ellis Marsalis “Mourning is happening in the homes.” Legendary jazz musician buried in silence “You can trace the impact of the health crisis in New Orleans by the silence of the city - no brass bands, no funerals, no church services happening,” said Tulane University ethnomusicologist Matt Sakakeeny. MORE: Death rate soars in New Orleans coronavirus 'disaster' that could define city for generationsĪnd as the death toll continues to climb in the age of social distancing, the absence of jazz funerals means, in some ways, the search for closure must be put on hold. Recent data released by the Louisiana Department of Health revealed that the black population in Louisiana has been disproportionately impacted by COVID-19, accounting for 59 percent of the deaths statewide, while only representing 32 percent of the state population. Making matters worse, the majority of those dying are elders of the African American communities. “This is an unprecedented event, and you just have to look at the numbers to know this is necessary.” And unfortunately those really can’t occur right now,” Arnold said. “We’re a very tight-knit community of music and festivity, and I think that extends to our funerals, our jazz funerals and second lines. The gravity of his new responsibility hit him when the city asked for 20 refrigeration trailers from the state 14 are now parked outside the coroner’s office. MORE: How the surge of New Orleans coronavirus cases made Louisiana a hotspotįor the first time in the city’s history, a death task force has been assembled to oversee what they call the “deathcare” of those who succumb to the virus, said Collin Arnold, director of emergency preparedness for New Orleans and a member of the task force. The death toll is now hovering like a specter at 367 and the danger of mourning the dead can be seen in Georgia, where a funeral is believed to have sparked a coronavirus outbreak in Dougherty County. At the time, Orleans Parish had the nation’s eighth-highest rate with 276 deaths over the past month, more than double the city’s homicide numbers from 2019. View Gallery: New Orleans jazz funerals help loved ones mourn, celebrate life New Orleans hit hard by coronavirusĪs of April 13, seven of the nation’s 20 highest COVID-19 death rates belonged to southeast Louisiana parishes. And for generations it’s been an important way to cope for the city’s historic black neighborhoods that through fires, plagues, and countless hurricane seasons have had to get used to saying goodbye.īut the novel coronavirus pandemic has put jazz funerals on hold at a time when communities need it most. Just as a casket feels lighter if more hands are carrying it, that metamorphosis of a private funeral march into a jubilant, street-winding second line is a way to process the death of one by joining arms with many. In traditional jazz funerals, that moment between grief and catharsis when the deceased is lowered into the ground and the family says a final farewell is known as “cutting the body loose.” Even if I didn’t know them, I pull out my umbrella, get my best dancing shoes on, and we’re gonna have a good time.” “It’s a community’s responsibility to celebrate the life of someone. The celebration of life,” Marsalis III said. “Once a person is buried, you have the second line. Some Sundays he chased the sound, his ear catching the mournful notes of “Just a Closer Walk with Thee.” And when he heard the music switch from a somber dirge to an upbeat rhythm, he knew it was time to join in. The slow wailing of a brass band setting the pace. The shuffle of leather shoes walking a lost soul to the grave. Watch Video: Coronavirus Chronicles: New Orleans can't grieve with jazz funeralsįrom an early age, Ellis Marsalis III knew what grief in New Orleans sounded like.
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During the porting of Chromium from Windows to other operating systems, build performance was becoming a bottleneck. Let us begin with why Ninja was invented. What is Ninja and why another build system? Naming the build system Ninja is apt as I will show you its capabilities in this blog post and highlight this USP. When developing a “yet another build system” – as the creator of Ninja, Evan Martin, referred to Ninja in its manual – speed was of paramount importance. My VS individual component is the all in quick start page.The word Ninja invokes the imagery of stealth and speed in my mind. "Īnd the CMakeLists.txt:4 in Hellow world project is project(SwiftDemo LANGUAGES C Swift) & C:\Library\Developer\Toolchains\unknown-Asserts-development.xctoolchain\usr\bin\swiftc.exe -output-file-map CMakeFiles\cmTC_8622a.dir\\output-file-map.json -incremental -j 8 -emit-executable -o cmTC_8622a.exe -emit-dependencies C:\Library\Developer\Platforms\atform\Developer\SDKs\Windows.sdk C:\Library\Developer\Platforms\atform\Developer\SDKs\Windows.sdk main.swift & cd. Run Build Command(s):C:/PROGRA~1/CMake/bin/ninja.exe cmTC_8622a & Linking Swift executable cmTC_8622a.exeįAILED: cmTC_8622a.exe CMakeFiles/cmTC_8622a.dir/ cmTC_8622a.swiftmoduleĬmd.exe /C "cd. See also "C:/Users/Administrator/Desktop/swift-cmake-examples/HelloWorld/build/CMakeFiles/CMakeError.log". See also "C:/Users/Administrator/Desktop/swift-cmake-examples/HelloWorld/build/CMakeFiles/CMakeOutput.log". & C:\Library\Developer\Toolchains\unknown-Asserts-development.xctoolchain\usr\bin\swiftc.exe -output-file-map CMakeFiles\cmTC_df535.dir\\output-file-map.json -incremental -j 8 -emit-executable -o cmTC_df535.exe -emit-dependencies main.swift Run Build Command(s):C:/PROGRA~1/CMake/bin/ninja.exe cmTC_df535 & Linking Swift executable cmTC_df535.exeįAILED: cmTC_df535.exe CMakeFiles/cmTC_df535.dir/ cmTC_df535.swiftmoduleĬmd.exe /C "cd. Check for working Swift compiler: C:/Library/Developer/Toolchains/unknown-Asserts-development.xctoolchain/usr/bin/swiftc.exe - brokenĬMake Error at C:/Program Files/CMake/share/cmake-3.19/Modules/CMakeTestSwiftCompiler.cmake:41 (message):Ĭhange Dir: C:/Users/Administrator/Desktop/swift-cmake-examples/HelloWorld/build/CMakeFiles/CMakeTmp Check for working Swift compiler: C:/Library/Developer/Toolchains/unknown-Asserts-development.xctoolchain/usr/bin/swiftc.exe Check for working C compiler: C:/Library/Developer/Toolchains/unknown-Asserts-development.xctoolchain/usr/bin/clang.exe - skipped The Swift compiler identification is Apple 5.3.2 The C compiler identification is Clang 10.0.0 with GNU-like command-line Running the Swift compiler: "C:/Library/Developer/Toolchains/unknown-Asserts-development.xctoolchain/usr/bin/swiftc.exe" -versionĬ Swift version 5.3.2 (swift-5.3.2-RELEASE)Īfter I used the command set SWIFTFLAGS=-sdk %SDKROOT, get result of echo %SWIFTFLAGS% is -sdk C:\Library\Developer\Platforms\atform\Developer\SDKs\Windows.sdkīut when I used cmake -B build -D CMAKE_BUILD_TYPE=Release -D BUILD_TESTING=YES -G Ninja -S. See also "F:/DEV/swift-cmake-examples-master/HelloMinimal/build/CMakeFiles/CMakeError.log". See also "F:/DEV/swift-cmake-examples-master/HelloMinimal/build/CMakeFiles/CMakeOutput.log". Configuring incomplete, errors occurred! :0: error: link command failed with exit code 1 (use -v to see invocation)ĬMake will not be able to correctly generate this project. "Ĭlang: error: no such file or directory: 'C:\Library\Developer\Toolchains\unknown-Asserts-development.xctoolchain\usr\lib\swift\windows\x86_64\swiftrt.obj' & C:\Library\Developer\Toolchains\unknown-Asserts-development.xctoolchain\usr\bin\swiftc.exe -output-file-map CMakeFiles\cmTC_3377c.dir\\output-file-map.json -incremental -j 8 -emit-executable -o cmTC_3377c.exe -emit-dependencies main.swift & cd. Run Build Command(s):C:/PROGRA~1/CMake/bin/ninja.exe cmTC_3377c & Linking Swift executable cmTC_3377c.exeįAILED: cmTC_3377c.exe CMakeFiles/cmTC_3377c.dir/ cmTC_3377c.swiftmoduleĬmd.exe /C "cd. Change Dir: F:/DEV/swift-cmake-examples-master/HelloMinimal/build/CMakeFiles/CMakeTmp It features lush graphics, beautiful easy-to-read cards, sound, in-depth statistics, and solitaire for points in solitaire quests. Pretty Good Solitaire is a collection of 1000 solitaire games. Pretty Good Solitaire makes solitaire more fun! We are not responsible for lost sleep because you stay up to play "just one more game". We are not responsible for lost productivity, neglected spouses, children, or pets. You can create your own solitaire games with the Solitaire Wizard, or make variations of existing games. You can even create your own solitaire games with the wizard! For an extra challenge, climb the levels of a quest by winning games and try to get the highest score! Warning: Pretty Good Solitaire may be addictive. Pretty Good Solitaire has 5 card sizes and automatically adjusts the card size to fit your screen. 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Pretty Good Solitaire version 10.2 is a free update for those who originally registered Pretty Good Solitaire 500 (2002 version 8) or last year's version 9, or those who have already paid for an upgrade. Play 700 solitaire card games and solitaire quests The title had been left vacant by famed flyweight Fidel LaBarba, a student at Stanford University. Izzy defeated Brown in a fifteen-round semi-final bout by unanimous decision in New York's Madison Square Garden on Decemand was declared the New York State Athletic Commission's World Flyweight Champion. Taking the NYSAC Flyweight World Title Īfter victories from Billy Kelly, Blas Rodriguez, Willie Davies, and Benny Hall in late 1927, Schwartz was chosen to meet Newsboy Brown for the flyweight title by the New York State Boxing Commission. In his peak years between 1926–27, he won 19 of 25 bouts with only two draws. Impressively, he fought fifty times before suffering his first knockout. He lost to Al Felder, Sammy Bienfeld, and Henry Catena. Beginning his career, Schwartz lost to Kid Durand in seven rounds, but defeated Vincent Salvatore, Kid Corona, and Indian Russel. He was fortunate to have the opportunity to spar frequently in his early career with the exceptional flyweight boxer Frankie Genaro, who would later become a more widely recognized World Flyweight Champion. Sparring partner, and 1928 NBA Flyweight Champion Frankie GenaroĪfter leaving the army as a gifted young competitor, he returned to New York to begin a career as a professional flyweight boxer. Schwartz's first official bout in the Army was a torrid match with Kid Pancho, whom he fought to a fifteen-round draw despite being outweighed by eight pounds. Izzy took advantage of the opportunity to box competitively, traveling frequently between army bases to take on flyweight competitors, until he was eventually crowned the Army's Flyweight Champion. According to one source which may be embellished, the army brawl that launched his career took place when Izzy was barely eighteen around 1919, and was precipitated when Schwartz, refusing to loan money to a fellow soldier, received an ethnic slur. After an officer observed him holding his own in a brawl at his base at Laredo, Texas, he was given the opportunity to represent his company in boxing competitions. Being underweight, he barely passed the physical required for army enlistment. Both his parents died when he was two years old, and he was forced to spend the remainder of his youth in a Jewish orphanage.įleeing the oppressiveness of a job he took as a factory clerk after high school, Izzy enlisted in the army in World War I. Schwartz was born in New York's East Village on October 23, 1902, not far from the neighborhood of Jewish Lightweight Champion Benny Leonard. Though never having much of a knockout punch, in 115 professional bouts between 19, he scored 15 knockouts, 50 decisions, 12 draws, 8 no-decisions, and lost only 28 times. He was inducted into the International Jewish Sports Hall of Fame in 1998. Isadore "Corporal Izzy" Schwartz (J– July 8, 1988) was an American boxer, who became recognized as the New York Boxing Commission's World Flyweight Champion from 1927 to 1929. |
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